GLASS - THE ILLUSIVE, ETHERIAL MEDIA

Glass is not new, but it is a relatively new medium in the realm of fine art. The material itself is still surrounded by mystery, science still not having a full understanding of its properties and behaviors. This is what makes glass full of possibility, a new frontier so to speak, and so appealing to the artist.

Technology has, in the last 50 years, made glass accessible to the individual studio glass artist, whereas historically, it was only accessible to large factories or groups of craftsmen. Previous attempts by artists to work glass met with success, but techniques were not shared and were carefully guarded secrets that died with the masters of the time. Today, atists share their techniques, creating a comradery, enabling the media to be fully developed and further explored unlike ever before.

For the sculptor, glass presents the opportunity to consider the inside planes of the sculpture as well as the outside form, almost as if revealing the very inner soul of the work. Glass creates dimensionality like no other media, being both opaque and transluscent, playing with light and reflection and color unlike anything else on earth.

Besides its luminosity, color and intrigue, glass is further appealing to the aritst because of the varying processes through which it can be worked. An expensive element (many times more expensive than cast bronze), it is also difficult to work. Glass is a two-edged sword, both fragile and extremely hard, presenting many challenges and requiring technical prowess, knowledge and experience to manipulate. It is not for the faint of heart or the artist who wants simple ease of expression.

The many varied processes of glass are further discussed below, divided into three main categories of process through the temperature ranges in which the glass is worked. Cold glass is worked at room temperature or slightly heated or cooled. Warm glass is worked from around 1100 degrees Fahrenheit (slumping temps) to 1500 degrees Fahrenheit (casting temps). Hot glass is worked 2000 degrees and up. As you may see, warm glass is anything but "warm" - it is all relative in the world of glass. The actual temperatures for each process will vary depending on the type of glass worked, but these ranges can offer you a base of understanding.

DV

LAMINATED GLASS

With technical advancements and the invention of better adhesives, the process of cold lamination was born. Through carefully cutting and polishing multiple pieces of glass, intricate artworks can be made through laminating the pieces into a sophisticated composition...

READ MORE

Artwork in photo by:

DV

CARVED & ETCHED GLASS

Carving and etching is utilized by many artists working first in other processes to enhance and finish the work. Blowers, fusers and casters will often add imagery and dimensionality ...

READ MORE
DV

LASAR-IMAGED GLASS

Holographic imagery in glass...

READ MORE
DV

STAINED GLASS

Stained glass surrounds us in architecture as a way to express an artistic message, while adding timeless color, light and beauty to a building or an artwork to an interior. Sometimes incorporating other techniques, this process..

READ MORE
DV

GLASS MOSAIC

An ancient technique, glass mosaic is most often used architecturally, but is also used in artworks and functional pieces...

READ MORE
DV

PHOTO-PROCESSED GLASS

The photo process for glass...

READ MORE
DV

HAND-PAINTED GLASS

There are several types of processes involved for hand-painting of glass and they range from those used by European stained glass artists centuries ago to new ones brought forth through the technolgical advancement of new materials...

READ MORE
DV

SLUMPED GLASS

Slumping is a shaping process that occurs by placing the glass in a kiln over/in a mold and heating only hot enough for gravity to do its bidding. The process is most often used in conjunction....

READ MORE
DV

FUSED GLASS

Fused glass is created by assembling glass into a composition and then placing the assembly into a kiln to be "fused" into one piece. The temperatures used can give very differing results....

READ MORE
DV

CAST GLASS

The term "casting" incorporates a large variety of processes for the artist. The glass can be cast in a kiln, hot-poured from a furnace, or blown into a mold....

READ MORE
RD

NEON GLASS

The term in itself is controversial among artists, however history calls it Lampworking. The glass is artfully manipulated and shaped over an open flame...

READ MORE
RD

LAMP/FLAME/TORCH-WORKED GLASS

The term in itself is controversial among artists, however history calls it Lampworking. The glass is artfully manipulated and shaped over an open flame...

READ MORE
RD

BLOWN GLASS

Perhaps the process we most often consider when a thought of art glass arrises. This is the sexy prosess of the art glass world, watching artists gather, pull, twist, shape and form glowing orbs of glass....

READ MORE